Ahmet Simons

Crypton Ink is a raw brush typeface. Its cool texture is carefully handcrafted to straight away grab the attention of the viewers. Suitable if use for logos, posters, headlines, brandings, apparel, etc.

This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu.

Thank you

Geshana is a Modern Calligraphy Font. Perfect font for your wedding ceremony. 

Combine Geshana stylistic set to create amazing script font for wedding!

Fall in love with its incredibly versatile style and use it to create spectacular designs!

Geshana is perfect for branding, logo, invitation, quotes, wedding invitation, cricut font, silhouette font, product packaging, merchandise, 

game titles, cute style design, Book/Cover Title and more.

What's Included :

- Ligatures

- Multilingual Support 

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Hope you enjoy with our font!

Attype Studio

Proudly Presenting, Elvishwild a Traditional Tattoo Typeface with 6 styles to fullfil your projects.

Elvishwild is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Elvishwild also come with alternates, ascender swash, descender swash and Multi-Lingual Support.

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Rollink is a simple brush font that is very comfortable to read. It will elevate various design projects to the highest level, be it branding, headings, hands, logos, labels, wedding designs, invitations, signs and more!

included

-       uppercase and lowercase

-       multi language

-       alternate

-       ligature

-       swash

Allegra de Amour Font is Sans-Serif Font with upper and lowercase is complemented by some of the same alternatives made with love. Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the display font you like. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Features :

• Uppercase and Lowercase
• Stylistic Alternates & Ligatures
• Numerals & Punctuation
• Multilanguange
• PUA Encoded

My family and I are stuck in quarantine for a week; my eldest son tested positive for Covid19 (but everyone else tested negative), so we can’t go out. That means that the kids follow classes online.

I noticed their notebooks and suddenly realised that a notebook used to be called a ‘cahier’, which is a French word meaning the exact same thing. I guess it sounded sophisticated at the time.

Mon Petit Cahier (meaning: My Little Notebook) is a handmade script font. It is not meant to be awe-inspiring, nor do you want to use it for headlines or posters. It is a nice little font that feels at home wherever an unobtrusive script is needed.

Comes with all the diacritics you want and a set of cool double letter ligatures.

Imagine a font that is easier to read the smaller it is – or the further away the text is. There are already many rasterised fonts, I wanted to take it to the extreme and use as few dots as possible. The result is a typeface that lives up to its name.

Each individual circle makes no sense on its own; individual letters are only recognisable in the context of all associated circles, individual letters are most likely to be recognised in the context of whole words.

Attached to a building wall, text would be readable from a great distance and become increasingly difficult to decipher the closer you get to the building. Placed on the ground or on a large flat roof, text would only be readable from a higher building, an aeroplane or - depending on the size - in Google Earth.

Kontext has old style figures, superscript numerals, case-sensitive questiondown and exclamdown and an alternative ampersand, 390 glyphs at all.

Use the same value for font size and line spacing to keep the lines in the grid, or change the line spacing in 10% steps.

Change the spacing in 100-unit increments to keep the grid.

The numbers in the family- and style-names refer to the (ca.) grey value of the respective background and the font itself.

Kontext Dot 00-33 has e.g. a white background (0%) and 33% grey value. Kontext Dot 66-33 has a 66% background and 33% grey value.

»Positive« styles (first number smaller than the second number) have kerning, »negative« styles (first number bigger than the second number) can have none.